Tuesday, June 08, 2010

Counting Sheep

Counting Sheep

 

I force my body to lie still in the bed, tangle it with blankets

to tie it to the dark end of night, close my eyes,

and pretend to sleep, but inside my quiet legs,

my unquiet legs are running, running,

and the tattered moths my of eyes beat and beat

against the cage of my skull.

 

Somewhere, an invisible light keeps calling me,

a light I can't turn off, no matter how many times

I pull its chain.

 

I am as small as an ant.  I am a song in the wind.

Sleep holds its breath and counts and counts,

but there are never enough sheep, never enough

boring stories to fix me in the womb of darkness.

I tumble like a weed, a diaspore. I am an exploding star.

A memory rising from oblivion.  A haunting.

 

 

 

Mary Stebbins Taitt

100608-0220-1st

 

Monday, May 10, 2010

Saturday, April 17, 2010

Not Sniping at Sleep




"THE SNIPE HUNT" by Mary Stebbins Taitt (click image to view larger.)

Not Sniping at Sleep

Winged as a curlew, long-beaked as a woodcock,
sleep whistles and dives through the shattered night.
Searching, I scrabble through dark swamps
reeking of marsh gas and fetid with the smells
of rotting fish. My song bursts with yearning,
alternating chipping, burbling and fluting sounds,
like a sparrow held under water. My pleading
tastes like a mesh bag holding raw shrimp and crayfish.
Muddy ooze seeps cold through the knees and hem
of my nightgown, black muck and slime clings
to my fingers and toes. Burdocks and beggars ticks
burrow in my hair. I carry a snare for the snipe of sleep,
but when the bird swoops by and I reach to snag it,
my fingers pass, ethereal, through a taunting fantasia
of feathers, fog and clouds, of unborn sleep that drifts
past, damp, intangible and utterly unattainable.
Snipe dreams tumble by, hauntingly near
but always beyond reach. They refuse to descend
into my wake-parched eyes. I strain
toward the gibbering voices of dream phantoms.
They talk in tongues, whisper and twitter
in unlearned or unknown languages
and their aurora-colored feathers flutter
around my bed, falling like the warm snow
of dreams but never touching my face.
Long snipe beaks tear the night in strips,
shredding it into confettis of longing.
The snipe of sleep will be neither captured
nor kept. It cannot be domesticated.
Elusive, beyond wild, it ranges over
the incalculable waters of night.
It turns bedrooms into swamplands
and sanity into shrieking lunacy.

Mary Stebbins Taitt

A snipe hunt is a wild-goose chase or fool's errand. The term originated from a practical joke where experienced campers convinced inexperienced campers to capture a “snipe,” variously described as a bird or animal. The novice campers were given absurd methods of catching the snipe, such as running through the woods carrying a bag while making odd noises. Real snipes, shorebirds with long bills, are so difficult to catch for even experienced hunters that the word "sniper" originally meant someone skilled enough to shoot a snipe.

I am not a sniper of sleep. OR, on the other hand, maybe that’s exactly what I am! Perhaps I should stop sniping at sleep. Am I on a snipe hunt OR am I a sniper? If I CAPTURE a snipe, I can sleep—if I kill it, I shan’t sleep! This and the previous version at the Rolandale Silk Creek Retreat House in the Hiker Kitty Room. NaPoWriMo (National Poetry month) Instead of writing a new poem every day for National Poetry month, I've been working on the SAME poem over and over every day (pretty much like always.)

I redid both the art and the poetry and the new version can be found at The Smell of Sun (now called "Fool's Errand")

Tuesday, April 13, 2010

My name is Mary

Hi. My name is Mary. I am eight and a half years old. I want to be
famous. Today I decide to be a famous artist. My Mom lets me use her
paints. I paint a picture of myself. I am looking at a picture my
father took of me, and I am wearing the same green and red bathrobe
over my Pajamas. But you can't see the color in the photo. My
painting doesn't look exactly like me. Mom says it's called "artistic
license."

Thursday, March 25, 2010

Quick sketch of BB in progress







#1)I get home from a walk ind find BB on the couch reading a motorcycle book.

#2)I grab my little sketchbook, water, a paintbrush, a pencil and a pen,

#3)and make a super quick pencil sketch. Even though I am quick, BB moves several times.

#4)I quickly ink the sketch with a pilot Precise (I change my mind about what pen to use).

#5)I brush plain clear water over the sketch. (I probably should not have brushed the pages of the book, but left them white.)

6)The nearly finished quick sketch. View a scan of the completed sketch here. (I will add the link tomorrow if I have time and maybe make these pictures bigger--I have to go now!)

process: Sketch with Marker and brush with water



Marie and several others asked how I made this sketch. It is very simple, but not "easy," LOL!

Maybe I will make another and show it step by step.

But for now, here is what to do:

1)find a marker or felt-tip pen that is water soluble. I used a Crayola marker (or pen).

2)TEST the pen with a small brush and clear water to see how it reacts to wetting. It must produce "ink" or "paint" when wetted or it will not work. Some pens work better than others.




I was testing various pens to see how they would work--it partly depends on how large a sketch you plan to make--the larger the sketch, the larger the pen!

This is my test page--I wouldn't have made it so messy if I'd know I was going to share it. The aqua-colored arrows mark the better pens for this project, the hot pink one marks the pen I chose to use.

3)Draw the sketch. To tell you the truth, this sketch was an experiment--I measured my husband's nose and the distance from his nose to his mouth and his "inter-oculary" distance (pupil to pupil) and so on. Draw the sketch with the pen. Do not color much except where you want it to be very dark.

(I drew the picture lightly in pencil first, then lightly sketched with the pen, in this case).

4)Carefully, with a small brush wetted with clean water, brush over the pen marks and use the ink or paint that is lifted for shading.

Note: it is not very forgiving or correctable, once you start with the "painting" part, so use care. You may want to make a few practice sketches first to get the hang of it. The first one I made, I used too much ink and it came out very dark--I didn't like it.

And here's one for Marie--a page from one of my small sketchbooks (click image to view larger):



One more IMPORTANT thing: water color paper or at least heavy duty sketch paper works better for this than plain paper, which tends to buckle.

Sunday, February 28, 2010

Bird of Paradise plant, art and photgraphy




I took the photo at the Belle Isle conservatory and then "painted" the picture with pigment markers (Faber Castell PITT artist brush pens). Click images to view larger. (I also photographed some of the leaves in another photo.)

Friday, February 05, 2010

Skunk man

with pigment markers.

A Bridge in Sardina

A Bridge in Sardina, Gouache, from a lesson, by me of course, this iteration.

Monday, December 07, 2009

Distance in Process




Two stages midway through the painting of "Distance." See the completed version here.