Messy Baby Digital composit

I am going to start a new painting and I spent the morning creating a digital composit from which to paint--that it, a reference to study as I work. This is for a children's book I am working on--I'd say more but it's a secret.

Slow Reader

Slow Reader

I gnaw the flesh of a poem, tearing it
from the bone. My teeth rip
into the juicy meat. I chew slowly, savoring
each bite, rolling the sweet umami on my tongue,
sucking the juice from every morsel. One bite,
a pause to consider the flavor, and then another.
Slowly, I devour, tidbit by tidbit, the whole poem,
then suck the long curved bone until it is as white
as if it had lain on the desert for years.
Though may take months to consume
the entire carcass of the book, my mouth waters
at the prospect of such prolonged delight.

The next book may be a pear tree.
I could pluck a single pear, hold
its smooth curved, ripe body and examine
the pattern of its speckled skin. The shape
pleases me. I caress it and admire its taper.
When I bite into it, it squirts; juice runs
down my chin. And the stone cells—such strange
and inviting texture. Leisurely, with careful attention,
I sample mouthfuls of pear poem, eating it
down to the stem and seeds. The rest of the tree
remains, full of pears. They blush in summer light
and whisper my name.

Mary Stebbins Taitt
090121-1107-1b

This is a brand new poem. Click the "broadside image" to view it larger. For Creative Every Day art and words.

Thin as Our Fingers
(Turning Flowers to Garbage)

A lake appears along the trail, above the cliffs
and pounding surf beneath. Bounded by cliff-side rocks,
it stretches nearly as far as we can see. Huge,
like the ocean below, but calmer. More welcoming
than the crashing waves of the sea. The trail
enters the lake and continues out of sight under the water,
as yellow as the yellow brick road in the Land of Oz.
I plunge in, eager, excited. Warm as air, the water
caresses me. Soft. Buoyant, delightful. I exhale, sink into it,
and rise again. “We can swim to the left, we can swim
to the right!” I tell you. And demonstrate. A smile
blossoms on my face and fills me with light
like the first sunny day of spring. You hesitate, then follow,
slowly. Wade, then swim. Then smile, too. We drift together,
above the yellow path under the water. You laugh,
bob, sway, almost seem to dance, until you see
the snakes. Green snakes, hundreds of them.
Some are as thin as our fingers, some as thick and long
as our arms and legs. The snakes float on the water like lily pads,
hold only their nostrils above water, heads suspended, tails dangling
like the long stems of water lilies. I swim and glide among them,
easy, relaxed, smiling. No clouds crowd the horizon; the sky
wears the clearest, deepest blue robes imaginable. Reflects
the endless blue water. But you stiffen. Hang back.
“Look,” I say, “they are harmless.” Snakes surround me,
and pay me no mind. Still frightened, you refuse
to swim forward. Suddenly, you yell and splash at the snakes.
In an instant, they all rear up, draw scaly lips back
to expose their fangs and hiss. They charge us both.




Mary Stebbins Taitt
For Keith and Janine
090113-1229-1eb

Snakes in the Water

Read more about the dream that caused this poem at my dream blog, Hidden Rooms.